Diffuse memories: Amy Blakemore at SAM

August 31st, 2010

Steph by Amy Blakemore

I’m in the process of picking some photos to hang in a friend’s shop during the West Seattle Art Walk. There’s perhaps no more humbling experience than looking critically at your own photography, trying to determine which of your works people are most likely to respond to. I like to believe that photographer Amy Blakemore, whose “Photographs 1988–2008″ exhibition opens this weekend at SAM, has navigated similar waters; although I doubt it. Her images are warm and soft and low-tech, and they evoke an instantaneous response: You feel like you’ve known them all your days. Few modern artists are as gifted as Blakemore at blurring the lines between things photographed and things remembered. You look at her photos, and at the same instant, you swear you can remember them being taken, even though you weren’t anywhere nearby unless you were Blakemore herself. If the artist had a viewfinder fixed in the back of her head, you might be able to see what she sees — but it would probably be easier for you and the artist if you were to simply check out “Amy Blakemore: Photographs 1988–2008″ at SAM this September 4. A whole lot neater, too.

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Bad Bunnies, Malicious Mice

August 25th, 2010

Nyback's Animation

You wouldn’t dream it, but Bugs Bunny and Mickey Mouse used to be a pair of crude, violent and tactless bastards. They’ve been so thoroughly cleansed and commodified by their corporate masters that neither of them are really interesting anymore (Mickey even less so than Bugs). But film archivist Dennis Nyback isn’t buying the friend-to-all-children act; he’s seen the cartoons these malefactors used to make, and he’s screening them at the Grand Illusion. Turns out that Bugs is a racist and sexist, and Walt Disney didn’t invent animation; Nyback provides compelling visual evidence that’s only coincidentally funny as all hell. Who knew? Also: Dr. Seuss visits the heart of darkness. Do not bring the kids — in fact, don’t even tell them this is happening. Tell them you’re going to an opium den, to avoid traumatizing them.

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Seattle, je t’aime

August 24th, 2010

Hanging Around The Day

Every once in a while, someone asks me why I live in Seattle — and I refer them to this piece, which is reprinted here from Monkey Goggles. Proper Spellout posts will resume momentarily, so please remain seated.

Look, I love this town. I love Seattle in its every drippy molecule. Even during the gray months — which is half of them, pretty much — my love for Seattle abides and even flourishes. Just off the top of my head I can easily call off ten reasons why I’m crazy about Seattle and the people who live in it.

We dress funny, and we don’t much care. When I took a job at a local new media company a number of years back, I asked my supervisor if there was a dress code; she rolled her eyes and said, “Geoff, it’s Seattle.” And by Mudhoney, she was right. I haven’t tucked in my shirt for nearly eight years.

Our sense of civic irony is razor-sharp. I offer as proof of this fact the statue of Lenin that we decorate for Christmas.

We crowd-source our civic decisions, for good or ill. True, we’ve talked ourselves out of a major-league basketball team, put unnecessary restrictions on nightlife and stymied one public transit proposal after another, but we’ve also managed to support three other major-league sports franchises, to establish and maintain solid funding for local arts organizations, and actually agreed to back the creation of a light-rail system that only last week saved me a fifty-dollar cab ride from the airport. With one hand we fight to preserve old buildings, and with the other we smack down proposals to replace the dangerous elevated freeway that’s one ground tremor away from disaster. It’s a maddening push-and-pull, but somehow it works. Even as its population grows, Seattle continues to be a comfortable place to live because its residents fight to keep it that way.

You know, the coffee is pretty good. We ought to tell somebody about this stuff.

Our street grid is labyrinthine and needlessly confusing, and when you’ve learned it you really feel as if you’ve accomplished something. There are people who come to our town who fancy themselves adventurers; they’ve got their GPS-equipped smart phones and copies of several-year-old Seattle guidebooks and they think they’ve got Seattle all figured out. Next thing they know, they’re stuck heading north on Aurora after having made an innocuous right turn or navigating an endless loop of one-way streets trying trying to get back into the W’s parking garage. We are down with Daedalus.

Seattle has all the engineering marvels you build into a “Sim City” creation to make it more interesting. We’ve got four cool-looking drawbridges, including one that’s used solely by trains. We have a freshwater-to-saltwater locks system. We have a Frank Gehry museum, a Rem Koolhaas library and a former World’s Fair grounds with space-age observation tower. We have a dormant volcano. We win at Sim City: The Live-Action Role Playing Game.

I think the Food Network has a satellite production office here. Seriously, one or another of our restaurants is featured on the cable channel every time I flip by the damn thing.

We can ride our bikes to a winery, on a trail that seems to be expressly designed for that exact purpose.

Seattle accumulates artistic capital like savings accounts acquire interest. Case in point: Ours is the kinda town where the weekly alterntive newspaper can hold a yearly film festival made up of budget-free, homebrewed pornography (The Stranger’s “Hump”), and in so doing can inspire a non-pornographic independent feature film that’s good enough to win a jury prize at Sundance (Lynn Shelton’s “Humpday”). Here, good ideas defy nature by rolling uphill and getting bigger.

Finally: The town is flat-out beautiful. Anyone who’s every walked the trails of Discovery Park, watched a sunset from Alki or wandered the older parts of Queen Anne, Ballard and Capitol Hill has to have caught a whiff of it — that feeling that you’re somehow outside yourself, watching yourself swimming in that lush blue-green idyll. The only way to get that feeling is to live here; you can’t get it from visiting or watching movies about Seattle. And it helps to be able to actually find Capitol Hill, Queen Anne or Ballard without getting lost on this (expletive) street grid.

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“I love you” and “too much”

August 21st, 2010

PiP

It has been some years since I’ve seen John Hughes’ “Pretty in Pink” — second-run — and still I have questions about it. I want to know why (SPOILERS) Molly Ringwald chooses that doorknob Andrew McCarthy over audience surrogate John Cryer — to say nothing of choosing James Spader, who was in the prime of his oiliness. I want to know why Annie Potts’ character felt the need to transform herself in order to keep a boyfriend. (Also would like to know why she didn’t answer my 36 neatly typed, soul-searching fan letters, only a third of which proposed marriage.) I want to know OMD — up to that point a reliable source of catchy, but sophisticated synth-pop — stepped on its collective dick and delivered the worst song of its career. Most of all, I want to know why I still care about these things 24 years past the point they still mattered. I may yet be answered some of these questions this Saturday evening at 7 p.m., when “Pretty in Pink” plays the Fremont Outdoor Cinema … though, frankly, I’m not to learn anything I didn’t already know. That’s fine. I have been, and shall remain, a Duck-man.

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Avant rockers Oneida ride into the Sunset

August 18th, 2010

Oneida by Lisa Corson
PHOTO BY LISA CORSON

Open your minds, friends, scare up a ten-spot ($8 advance) and head to Ballard’s Sunset Tavern on Thursday, August 19 at 9 p.m. for the unique stylings of East Coast quintet Oneida. Kinski and The Lights share a bill with the group with a loyal following in Europe and a vision somewhere in the 24th century. A few of Oneida’s efforts are what you’d think of as songs, but much of their work is soundscapes that invite your mind to wander. Their 2005 album, “The Wedding,” makes my mind flash variously on “The Wicker Man,” “Fitzcarraldo” and the more far-out stretches of my avant-garde film seminar in college; I hear an endlessly repeated hook that reminds me of nothing less than “Don’t Rush Me” by Taylor Dane (though the band would probably be appalled to learn as much). But that’s just me, drawing from my mental collection. What these guys are doing is so sophisticated on a structural level that to read their map, you need to find your own markers. Last year’s triple-CD “Rated O” is by turns chanty, tribal, rocking and the long-lost spawn of David Bowie’s “Low.” It’s unusual in Western music to have absolutely no idea where a song is going—and rarer still to be pulled in by it, and to go gladly. Listening to Oneida is a bit like listening to Zappa: afterwards you’re not sure what just happened, but you know you liked it. And you know that not a single note of it was an accident. – Sheri Quirt

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I’d rather be at a Chinese restaurant in your city

August 18th, 2010

Chungee's

There isn’t much I wouldn’t do to be at Chungee’s Drink ‘n Eat right about now. Their happy hour runs from 4 PM to 7 PM, but that’s not what I’m about right now (even though they’ve got some great drafts and cocktails, and they’re pouring ‘em cheap). No, the object of my desire is the Americanized Chinese food served up at this cozy Capitol Hill enclave. I have been fixating on the savory, green onion-flavored Chungee Pancake — with its curry dipping sauce, lawdamercy — pretty much all day, to the point where I just went into the kitchen to lick an onion. The General Tso Chicken, kind of a house specialty, is also pretty good though I doubt I’d be hungry for it after eating three of those pancakes, which is about what it would take to save the primal lust I’m feeling right now.

Chungee’s has a nice outdoor patio and it’s just far enough away from the Pike/Pine corridor to send out the dumpster-baby crowd, but really, all I care about is the pancakes. Pancakes. Pancakes. Pancakes. Thank God the Stranger is offering a deal.

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Your Seattle Cheap-end: August 14-15

August 14th, 2010

Quasi

This is the first weekend update I have filed in this decade. Positively shameful. I have a litany of excuses and woes, but you don’t care about any of that stuff. I mean, who would? All that’s important here — the quote takeaway unquote — is that I’m still doing this; I have not blown the emergency slide and ducked out. Now let’s get down to cases.

This Saturday, August 14, looks like it’s going to be a hot, beautiful and perfect summer day, like the kind we’ve dreamed of all summer. There may be no better day for KEXP to hold its annual “BBQ” at Seattle Center’s Horiuchi Mural Ampitheater — a free, daylong concert featuring Victor Shade, Dinosaur Feathers, The Joy Formidable, The Lonely Forest, Suckers and Quasi (pictured). The price for this musical spectacular? Nuthin’. Just show up at 2 p.m. and smile pretty.

Also Saturday: Fremont Outdoor Movies presents a 25th anniversary screening of “The Goonies,” a movie that no one actually paid to see in summer 1985. It’s true. We paid to see “Back to the Future” or “Pee-Wee’s Big Adventure” and then we just sneaked from one theater to the other. That day we also saw “Weird Science” and “Pumping Iron 2: The Women,” so we really feel like we got our money’s worth. Anyway, “The Goonies” is cute and we’ll gladly pay the $5 donation for it, but only for Martha Plympton. H.O.T.T. N.E.R.D.

Also also: August 14 is India’s Independence Day. Rub it in England’s snooty gob by getting down to a special edition of Bollygrooves at the Croc. $10 gets you DJ Anashul spinning all the Bollywood boogie a body can stand, and an artist painting free henna tattoos in whatever qualifies as a quiet corner.

And on Sunday, August 15: Go see that “Scott Pilgrim” movie all the geeks are talking about. Seriously, it’s kind of wonderful. Michael Cera, I absolve thee of everything you’ve done wrong since “Superbad,” which is everything/

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Enlighten meant for everyone

August 10th, 2010

Enlighten, Ballard

Okay, I’ll do this. Originally I had no intention of telling you about Enlighten Cafe in Ballard, but I want them to do well, so I’ll just have to suck up my fears of this splendid cafe being invaded by Cupcake Royale-sized crowds. Until a few weeks ago an Asian home furnishings boutique, Enlighten is large and airy (oh, how often I’ve used those words and not meant them as sincerely as I do now) and shatteringly tranquil. Handsome teakwood furniture invites long stays, and the food — drawn from the kitchen of sister business Root Table — is above and beyond standard coffeehouse sandwiches. They have Chai and WiFi. And I’ve been practically living here these past couple of weeks, fearful for the day that you and your cohorts stand in front of the Sunset Tavern on Ballard Avenue, look directly across the way and ask each other, “Hey, is that a coffeehouse? How long has that been there?” The answer to that question is the same as the answer to “How long will Geoff have this place to himself?” Not very long at all.

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Wherefore Chromeo is art

August 9th, 2010

Chromeo

Something I have learned: No matter how hardcore someone’s musical tastes may run, they always have a soft spot large enough for one sliver of dance music to get through. The biggest Metallica fan I ever knew also loved ABC; the biggest Dead Milkmen fan also owned everything there was to own by the Pet Shop Boys. Using that logic, I will assume that fans of Chromeo, the Montreal-based electrofunk duo that plays the Showbox at the Market this Thursday, August 12 are the headbangers, punks and rivetheads you previously thought to be inflexible. Chromeo’s white-disco beats are too funky and its synth-pop melodies too addictive for the hardcases not to have noticed this silky outfit brushing past them on the street. There’s a fair amount of Hall & Oates in Chromeo’s sound; a goodly amount of Prince; a detectable element of Michael Jackson — and that’s too much good boogie for anyone to resist, let alone someone who’s held out against the disco juggernaut this long. See you on the dance floor, tough guy. Tickets are $21 advance.

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Counting down to Bumbershoot

August 3rd, 2010

The English Beat 01

Hate to say it, but summer? Done. Finished. Stick a cloudy fork in it. We had two weeks of nice sun and a few odd days of aggressively angry sun, but from here on out, it’s going to be high clouds and cool breezes and wistful looks. Pretty much all we have to look forward to at this point is maybe one more week of blue skies and sun, both nowhere near as intense as what we fleetingly enjoyed in July. And as ever, we’ll have Bumbershoot — that last longing look at the summer that could’ve been. It’s the spinning top from “Inception,” that’s what.

The three-day music, arts and short film festival, happening September 4-6, has locked down its lineup (viewable here), which you can see here. More importantly, festival organizers One Reel have made a significant change to the admission structure: This year, you can purchase a daily ticket that excludes the Mainstage events but gets you everything else, including the English Beat up yonder, for just $22. The regular daily tickets are still a pretty good deal at $40, considering all that you get (and the thing is, you won’t even know what the highlights will be until you go there and discover them; that’s how B-shoot really shines, in the unexpected pleasures department). But $22? That, savage reader, is a steal — and One Reel ought to be commended for offering these tickets. Snap some up before they change their minds.

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